Pakistan Goes to the Oscars

Image from the Guardian: Dr. Jawad examines Zakia's Face

Tomorrow is Oscar day. If you are anything like me, you watch as many Oscar-nominated films as humanly possible (while still, of course, maintaining some semblance of a life) and hope your favorite movies walk away with the coveted trophy.

The Oscars are it, the last pit stop in the awards season, the culmination of all that was brilliant in film that year. This year, filmmaker Sharmeen Obaid Chinoy became the first Pakistani to ever garner an Academy Award nomination. Her documentary, Saving Face, co-directed with Daniel Junge, is up for the Oscar in the short documentary category. The film delves into the issue of acid attacks through the lens of the women affected by tragedy and the doctor trying to help them. In Pakistan, there are 100 acid attacks reported each year, but many cases go unreported, the victims instead relegated to the shadows of society.

Saving Face follows two women who chose not to remain silent. Zakia was horrifically injured after her husband, a drug addict, threw undiluted battery acid on her after she tried to divorce him. In the film, Zakia’s husband, who was in jail following the crime, called the charges against him a “conspiracy,” stating that his wife was his and it was “a matter of dignity.” The crimes against Rukhsana, who is just 25 years old, were also perpetrated by her sister-in-law and mother-in-law, who lit her on fire and locked her in a room. When asked for his account of the attack, her husband Yasir claimed Rukhsana had a temper and high blood pressure and threw acid on herself. He added, “99 percent of [these women] throw acid on themselves.”

The stories are woven into the larger narrative, but also are documented as a journey for retribution. Dr. Mohammed Jawad, a plastic surgeon in London, works to help these women become a part of society again. On Zakia, he performed the first surgery of its kind in Pakistan. The Guardian noted, “He used Matriderm to smooth her ravaged face, gave her a pair of glasses with a painted eye and attached a prosthetic nose, allowing her finally to show her face in public.” The results are extraordinary for a woman who had stopped showing her face in public (instead covering it with a burqa and sunglasses), whose life had previously been stolen by her husband’s atrocities.

The beauty of Saving Face was in its very human and nuanced portrayal of all its characters. Zakia was not just a victim of an acid attack, a faceless woman both literally and figuratively. She was a survivor, someone strong enough to fight against the system. During the film, her husband was found guilty of his crimes, receiving two life sentences. Her case was the first to be tried under the new law passed unanimously by Pakistan’s Parliament (and tirelessly pushed forward by the Acid Survivors Foundation and  MNA Marvi Memon). Rukhsana’s story was more bittersweet but reflected the tragic reality facing most acid victims. Many, like Rukhsana, are forced to live with their attackers, mainly for economic reasons.

This speaks to the complexities that exist in societies like Pakistan, where attitudes towards domestic violence (honor-related or not) and victims, are a very large part of the problem. Lack of economic opportunities, social stigma, and safety problems among others all act as significant obstacles for survivors of these attacks. While passing legislation to give their attackers life imprisonment is an important top-down step, there is much more that needs to be done to address the symptoms behind this problem. We need to do more than just be prescriptive.

I watched the film yesterday evening. I expected to cry, to be horrified and indignant for the state of our society, for the crimes committed daily against women in their own homes and by their own family. But I did not expect to also walk away with a deep and lingering sense of hope. Dr. Jawad’s compassion and charm jumped off the screen, and his deep relationships with both Zakia and Rukhsana were touching. After having a baby boy, Rukhsana told Jawad she had named him Mohammed with hopes that he would grow up to be a doctor just like him. Zakia’s son was also a strong but silent character woven beautifully into the narrative. Though he did not speak during the film, he stood constantly by his mother’s side, a small example of how all is not black and white in these stories.

In a segment for NBC News, Sharmeen, who has previously won an Emmy for her documentary Children of the Taliban, told NBC’s Amna Nawaz, “I fell in love the first time we put the cameras on, and it was because I could see the colors, the textures, the language, the beauty and the heartache that could just transcend all barriers.” The purpose of this documentary, she noted to the Washington Post, was to educate people about acid attacks in Pakistan, but also to recalibrate attitudes towards honor violence. She said, “We wanted men to know they think it is manly to throw acid, but in fact it was the most unmanly thing to do.”

As a Pakistani, I am incredibly proud of Sharmeen Obaid Chinoy and her much-deserved nomination. But I am also proud of the characters in the film, who were all larger-than-life in their capacity to love, to fight, and to live. We all can learn many lessons from them. At the end of Saving Face, Dr. Jawad noted, “I’m part of this society that has this disease. I’m doing my bit. Come join the party.”

The Oscars will air tomorrow evening (EST), and Saving Face will be shown on HBO on March 8th. Sharmeen, you have an entire country behind you. And we are all rooting for you.

UPDATE 2045 EST: Sharmeen just won the Oscar – AHHHHH!!! Pakistan’s first Oscar – SO PROUD!

Horrible quality photo, but I was too excited to take a good one of my television!